museum

Spanish Culture minister asks to withdraw the appeal and says that it’s been done without his consent

Van containing disputed pieces reaches monastery at 3.30pm under police escort

Political groups reject the removal of Sixena works of art, while Spanish president says judicial decision must be respected

‘Thieves’ is one of the most heard chants by protesters during the operation

The directory includes around 1000 of the artist's pictoral works, after 17 years of research

The display showcases 170 exclusive items from the British Museum, including one of the seven wonders of the ancient world

Employees from the Museum of Lleida claim Madrid’s direct rule over Catalonia “slows down” cultural activity and demand release of Catalan leaders

With Catalonia under direct rule it falls to Spanish culture minister to decide whether to return 44 art treasures taken from Sigena monastery

Visitors can see costumes, weapons and props from seven seasons of HBO’s hit fantasy series

Located in the Nau Gaudí space in the seaside town of Mataró, the exhibit starts a dialogue about humans and architecture

The collection examines his friendship with the Catalan poet and photographer Josep Palau i Fabre

“Strength, balance, courage, and sanity” are the four key elements that guide the new Human Tower Museum of Catalonia in Valls, 100 km south of Barcelona. This ambitious project, aims to become a reference for the human tower world. All that is on show at the moment is indoor equipment with the most spectacular set ups: latest videos, support tools, and interactive games. The aim of its creator, Ignasi Cristià, who has designed the space for both experts from the ‘castells’ world and for the more inexpert public as well, is to create a new space for explaining human towers.

The painting, which comes on the market for the first time, will lead Bonhams’ Impressionist and Modern Art sale on Thursday 2 March, and has a guide estimate of €942,000-€1,413,000. The work is a portrait of Dali’s sister, Anna Maria, painted in 1925 and which was only exhibited once, that same year, in the Barcelona Sala Dalmau. The painting was then given to Anna Maria by the artist before their relationship deteriorated. The Director of the Dali Museums, Montse Aguer, explained to the CNA that they had no information on this piece of art, which was considered lost until now. The auction will allow the Dali Museum to get more information on the portrait and complete the details that they had about it in the Museums catalogue. However, Aguer did not specify whether the Museums will participate in the auction in order to bring the painting to Catalonia.

Barcelona’s Picasso Museum will add 1,150 m² for exhibitions this 2017. This new area will be located on the second floor of the ‘Palau de les Finestres’, one of the five buildings composing the museum, which has been undergoing refurbishment. The Picasso Museum currently occupies five large town houses on Montcada street, in Barcelona’s old town, dating from between the 13^th and the 15^th century. During the presentation of the museum’s programme for this year, the Picasso Museum’s new director, Emmanuel Guigon, also announced that this year’s major exhibition will be ‘Picasso Portraits’, co-produced with London’s National Portrait Gallery, which will be displayed from March until June. There will also be three smaller exhibitions this 2017, some of them to be hosted in the restored area at the ‘Palau de les Finestres’.

Picasso’s attraction to Romanesque art is to be definitively unveiled in an exhibition dedicated to him at the National Art Museum of Catalonia (MNAC). The display will open its doors next Thursday and is co-organised with the Musée National Picasso-Paris. The exhibition includes forty works by the artist lent by the French museum, which are being added to the collection of Romanesque art from the MNAC. According to one of the exhibition’s curators, Emilia Philippot, the display demonstrates the “echoes of simplicity and primitivism” of Romanesque art in certain Picasso creations. Picasso, like other artists of his time, was attracted by the Romanesque, identified with the “childhood of art”. His interest is proved in the exhibition with various unpublished documents, such as correspondence and books belonging to the artist.