photojournalism

Two Catalans among awardees in CCCB exhibition on until December 20

Catalan photographer captured many late 20th century public figures, from Dalí and Serrat to Orson Welles and The Beatles

The 155 pictures that won the last ‘World Press Photo’ contest – the main photojournalism event at international level - will be on show at the Barcelona Centre of Contemporary Culture (CCCB). The Photographic Social Vision foundation, which is in charge of the creation, production and promotion of photojournalism and documentaries, launched this week the 12^th edition of the ‘World Press Photo’ exhibition in Barcelona, which will run until the 11^th of December. The images presented to the public were taken in 2015 throughout the world and won the prestigious international photojournalism award. In this year’s edition, visitors can see the photos of the awarded Spanish photographers Daniel Ochoa de Olza, Sebastián Liste, José Bautista and Mikel Aristregi. 

Barcelona's Centre of Contemporary Culture (CCCB) is currently hosting the 134 photographs awarded by the 'World Press Photo', one of the most important photojournalism competitions. Until the 13^th of December, visitors can view a wide range of documentary photographs portraying scenes related to issues such as the Ebola epidemic, the Ukraine crisis and the migration drama in the Mediterranean. However, one of the most outstanding pictures to be displayed in Barcelona's CCCB is Mads Nissen’s 2015 winning picture, which portrays the intimacy of a homosexual couple in Saint Petersburg, and was vetoed at the last ‘Visa pour l'Image’ festival in Perpignan due to its "excessive dramatisation". The eleventh edition of the 'World Press Photo' exhibition also includes seven winning pieces in the media category. 

From Wednesday 29^th of April onwards, the National Art Museum of Catalonia (MNAC) will exhibit 'Gabriel Casas: Photography, journalism and modernity, 1929-1939', the first great monographic exhibition dedicated to one of the most important photographers of the interwar period. Standing out as the photographer who introduced 'New Vision' photography in Spain, Casas achieved "great maturity" in the decade represented in this exposition with 120 photographs and 4 thematic areas: 'Records', 'New Vision', 'Photography' and 'Portraits', as explained by the curator Juan Naranjo. The exhibition dedicated to Gabriel Casas is a cooperative production between the MNAC together with the National Archive of Catalonia and La Caixa's foundation for social and cultural work. The show will later travel to the CaixaForum art galleries in Girona (North-East Catalonia) and Tarragona (South Catalonia).

Barcelona-born photographer Joan Fontcuberta presents his first major exhibition in the UK, ‘Stranger than Fiction’, which represents an overview of 30 years of his artistic work on nature photography. It opened on Wednesday at London’s Science Museum's Media Space and will be running until the 9^th of November. The six-part collection of pictures and artefacts aims to examine the presumed reliability of photography and shake the viewer's consciousness by mixing fact with fiction, science with art, and persuasive storytelling with a deep questioning. After London, the exhibition will travel to the National Media Museum in Bradford (northern England) from the 19^th of November 2014 to the 8^th of February 2015.

On Sunday evening, almost 6 months after having been kidnapped in Syria, Marc Marginedas, El Periódico de Catalunya’s war correspondent, arrived at Barcelona El Prat Airport in a plane of the Spanish Air Force. The journalist was “in good health”, according to the Spanish Government. Marginedas was able to cross the border between Syria and Turkey, where he boarded the plane after having been freed in the middle of the night on Saturday. He was welcomed back by his family, the Director of El Periódico, Enric Hernández, the Spanish Deputy Prime Minister, Soraya Sáenz de Santamaría, and the Spanish Executive’s Delegate in Catalonia, María de los Llanos de Luna. Catalan Ricard Garcia Vilanova and Andalusian Javier Espinosa are still in captivity in Syria; there are around 30 international reporters and 100 local journalists still held prisoner in the Arab country.

The National Art Museum of Catalonia (MNAC) hosts the retrospective ‘I work the street’ dedicated to photographer Joan Colom. It is the very first time an exhibition presents all of the artist’s works, amongst which are many previously unpublished images. From the 12^th of December 2013 to the 25^th of May 2014, visitors will be able to see 500 pictures, notably Colom’s most iconic images: black and white photos secretly taken in Barcelona’s Raval in the 1960s. His feature stories from the 1990s are also presented to the public. Colom’s donation of various photographic materials in 2012 enabled such a comprehensive exhibition to take place. The Director of the MNAC, Pepe Serra, said the exhibition was unusual in many aspects.

Freelance photojournalist Ricard Garcia has been kidnapped in the Syrian province of Raqqa together with El Mundo reporter Javier Espinosa by a group related to Al-Qaeda. On the 4^th September, the Catalan Marc Marginedas, reporter from El Periódico, was also kidnapped in Syria. Barcelona-born Garcia and Málaga-born Espinosa have been missing since the 16^th September near the Tal Abyad checkpoint. However, the news had not been announced until this Tuesday, when El Mundo published the information. They were kidnapped near the Turkish border together with 4 soldiers of Ahfad al Moustapha, one of the brigades of the Free Syrian Army, who were supposed to protect them. The 4 soldiers were released 12 days after they were taken away, but not the 2 journalists. Marginedas also remains in captivity.

The 143 pictures that won the last World Press Photo contest – the main photojournalism event at international level, which is held each September in Perpignan – will be on show at the Barcelona Centre of Contemporary Culture (CCCB). Among such photographs are many scenes taken at Gaza and Syria along with pictures of sports, nature, social issues and current affairs. Director of the Photographic Social Vision foundation Sylvia Omedes stated the exhibition “was the best opportunity to see the state of the world through the best photos taken in 2012”.  

CNA interviews Samuel Aranda, the Catalan photographer who eighteen months ago leapt to fame by winning the World Press Photo competition, the most important award in photojournalism thanks to a shot that would become the symbol of the Arab Spring: Fatima cradling her son Zayed, who was suffering from the effects of tear gas after participating in a demonstration in Yemen. However even after reaching such heady heights, Aranda hasn’t stopped working as his controversial photo essay for the New York Times about the extent of the Spanish economic crisis shows.

Until June 3rd, the Joan Miró’s Foundation displays almost 200 photos that show Joaquim Gomis’ particular universe. Gomis innovated in the way of taking photos, which were more surrealist, and the places he photographed: cities, skyscrapers and industrial landscapes were his favorite subjects.

Samuel Aranda’s photograph of a fully-veiled woman holding a wounded relative in her arms in Yemen has been awarded the World Press Photo of the Year. Aranda was working in the Arabian country for the ‘New York Times’. During his career he has collaborated with several Catalan and Spanish newspapers.