miquel barceló

Paris’ Pompidou Centre to host an exhibition on contemporary Catalan film-maker Albert Serra

April 5, 2013 01:23 AM | CNA / Mar Rocabert

The President of the Parisian centre, Alain Seban, compared Albert Serra’s work to that of Salvador Dalí, who he said was “another brilliant Catalan”. The Pompidou Centre will show Serra’s films, including his most recent one: ‘The three little pigs’ (2012), which is an experiment on Goethe, Hitler and Fassbinder and lasts 101 hours. ‘Honor de cavalleria’ (‘Knighthood honour’ in English, from 2006) and ‘El cant dels ocells’ (‘Song of the birds’, from 2008) will also be shown. The exhibition will run in the French capital from the 17th of April to the 12th of May. In addition, the Parisian museum will organise debates, such as the one on bullfighting with Serra and the painter Miquel Barceló.

The ‘La Caixa’ Foundation and MACBA art collections to be on show throughout Asia for two years

November 15, 2011 07:43 PM | CNA

China, Japan, Philippines and Malaysia are some of the countries that will host the exhibition ‘The Turn of the Century in Spanish Contemporary Art’, formed by works from the Barcelona Contemporary Art Museum (MACBA) and the foundation of the Catalan savings bank ‘La Caixa’. The collection of both entities consists of 5.500 artworks and is considered one of the most important compilations in Southern Europe. The exhibition touring in Asia will include artworks from Spanish sculptors and painters like Antoni Tàpies, Eduardo Chillida or Miquel Barceló, from the last 50 years.

Perejaume’s final two decades of painting and sculpture on show in Barcelona

November 3, 2011 03:11 PM | CNA / Margalida Amengual / Sara Gomez

Perajaume is one of the main Catalan artists of our time, part of a generation that is already gaining a lot of international recognition, with artist’s such as Jaume Plensa. Perajaume is known for his landscape visual poetry, expressing the excess of the current times and exhorting the return to natural roots. The exhibition is not a conventional retrospective, but instead a “programmatic proclamation”, an element of reflection on the function, the limits and the fate of art when opposed to excess.